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Showing posts with label pop quiz. Show all posts
Showing posts with label pop quiz. Show all posts

Friday, November 03, 2006

Answers to Last Tuesday’s Pop Quiz in Early Romantics

(1) Because her name is made up of two sacrificial people from Biblical times who were unable to commit sins (specifically, Christ and Able[sic]) [*]

(2) The number of up-beated words are always the same, even though the number of down-beated words can vary from line to line [*]

(3) antimetabole

(4) She has characteristics of mythological creatures, like [“labia” crossed out] lamia, vampires, zombies, bisexuals [**]

(5) They did not know what it was about and were tired of him not finishing poems and did not like the phrase “mastiff bitch” or the owl noises [*]

(6) [**]

(7) Hazlitt




* Half credit.
** Marked incorrect.

Wednesday, September 20, 2006

Answers to Last Thursday’s Pop Quiz in Early Romantics

(1) “Love is Eternal,” he tells her. And that he is coming to see her.
(2) The lover has been untrue, so when the narrator picks a rose it is a symbol of love for him, he pretends to take it, leaving her with the thorn, which to him, [crossed out] [*]
(3) Because none of them were Mary
(4) The first and last stanzas are almost identicle [sic] which brings a sense of unity to the song. The third stanza also contains the line “Flow Gently Sweet Afton…” The other stanzas are set up as if he has come upon her, with his flock of sheep, he at first envisions past encounters, but as he gets closer, he is able to give specifics (her feet dangling in the water, etc.) [**]
(5) He is in love with Mary and, seeing her asleep by the Afton, wishes for [“piece” crossed out] peace and serenity around her [*]
* Marked incorrect.
** Half credit.

Friday, September 15, 2006

Answers to Last Tuesday’s Pop Quiz in Early Romantics

(1) Ghengis’s son
(2) Because that guy woke him up [**]
(3) The fountain is like the creative inspiration and the river Alph is the creative force. The water is [crossed out] [**]
(4) Because he saw the poem in it’s [sic] entirety, word for word and image for image based not only on his dream but on what he was reading, which was itself a fragment so there could not have been more than what we have, because the source itself is limited. [*]
(5) The voices were [“prophicizing” crossed out] prophesying war.
(6) Because if you just say the vowels of the first line it’s sort of like a Vowel Palindrome: Ih Ah Ah Oo Ih Oo Ah Ah [**]
(7) The fountain and the sunless seathe sunny pleasure dome and caves of icethe peaceful valley and the voices prophesying war
(8) [*]



* Marked incorrect.
** Half credit.